Showing posts from August, 2014

Food, alcohol and other common household products & photos

Did you know that many early photographic processes involved the use of common types of food such as egg, potatoes and other household products including salt, alcohol and lavender oil, that we all have in our cupboards?

Rua Kēnana - Māori prophet

Rua Kēnana (1868/1869 - 1937), who was also know as Ruatapunui, was a Tūhoe prophet. He called himself the Mihaia / Messiah and claimed to be Te Kooti Arikirangi's successor Hepetipa (Hephzibah) who would reclaim Tūhoe land that had been lost to pakeha / European ownership. Rua's beliefs split the Ringatū Church, which Te Kooti had founded in around 1866/1868.

In 1907 Rua formed a non-violent religious community at Maungapōhatu, the sacred mountain of Ngāi Tūhoe, in the Urewera. By 1900, Maungapōhatu was one of the few areas that had not been investigated by the Native Land Court. The community, also known as New Jerusalem, included a farming co-operative and a savings bank. Many pakeha believed the community was subversive and saw Rua as a disruptive influence.

Hand coloured photographs

There is an immediately accessible quality about hand coloured or tinted photographs, which brings the past alive in a way that is perhaps more intimate than black and white photographs.

Converting images of varying shades of grey i.e. black and white photographs, into coloured images literally involved the application of colour onto the photographic image. There were two methods by which this could be done. Hand colouring or tinting involved painting very lightly onto the surface, so that the photograph underneath was still visible. The more clumsy method of the two was over painting, whereby a heavier pigment was applied, often completely obscuring the original photograph. Prior to the start of either process, a layer of varnish was usually applied to ensure that the absorption of colour was even across the photograph.

Love, kiss and home

Embroidered silk postcards from the First World War are known as WWI Silks. An estimated 10 million were made by French and Belgian girls and women and sold to Allied servicemen on duty in France. The cards were mailed home at no charge to the sender in Military Mail pouches, and became treasured mementos from "the boys over there”.

Many of the Silks featured symbols and greetings important to Allied troops: fern fronds for New Zealanders, maple leaves for Canadians; flags; battalion and regimental crests; and patriotic messages such as 'United We Stand' or 'Victory and Liberty'. Especially favoured were cards with Sister, Mother, Father, and the words love, kiss and home.

Mt Roskill’s Victory Estate

It is always fascinating to discover why the street you live in is given a particular name, and for residents of a block in Mt Roskill, Auckland, there is a marvellous history behind theirs.

It is a group of streets that was known as the Victory Estate – located up at the Mt Roskill end of Dominion Road in Auckland.

The subdivision was purchased by a syndicate in 1920, as reported in the NZ Herald newspaper. The land had been held for the past 50 years by the Wesley Training College who had possessed huge amounts of land in the area. It was described as “beautiful high green slopes …. Commanding magnificent views over Mount Eden” (New Zealand Herald, Vol. LVII, Issue 17412, 6 March 1920, p.9).

NZ Women who fought against WWI

The declaration of war was greeted so enthusiastically in NZ that many anti-militarist groups lowered their profile. This included the National Peace Council, whom in 1914 suspended all public work, saying “the war fever is too acute to allow of any meetings being held” (Hutching, M., 2007, see full reference below).

Most NZ women supported the war effort, but some were bold enough to agitate for international arbitration and an end to war. The Canterbury Women’s Institute, the Women’s International League and The Housewives Union formed part of the nucleus of the anti-war movement in NZ.

Lopdell House Revisited

Several months have passed since the great unveiling of plastic wrap from the exterior of Lopdell House, Titirangi, which is part of the newly named Lopdell Precinct. I was curious to see inside the building following its renovation, restoration and seismic strengthening.

The entrance foyer, with its floor of decorative tiles and sweeping circular staircase provided an impressive welcome.