Heritage et AL

Background After the signing of  Te Tiriti o Waitangi – The Treaty of Waitangi in 1840 the European population of Aotearoa New Zealand began to increase rapidly. Settlers wanted land. From early on, the area around Mt Taranaki had been identified as ideal land for British settlement. The New Zealand Company , an organisation which focused on colonisation and land sales, was involved in the settlement of New Plymouth and several extremely dubious land purchases in Taranaki in the late 1830s and early 1840s. New Zealand Company artist Charles Heaphy produced an enticing, idealised painting of Mt Egmont / Mt Taranaki to attract potential migrants. However, there was nothing to indicate that this was the ancestral tribal land of Te Ātiawa and other Taranaki Māori. When the new Colonial government was established, land purchase officers were officially appointed to purchase Māori land for the Crown, as outlined in the Treaty. Ref:  Heaphy, Charles, 1820-...

Music in the First World War played a number of different roles on both the battlefields and back on the home front. On a basic level, music was a good form of entertainment and was a focus for social gatherings. Due to its popular nature, music is able to infiltrate into all aspects of life. During the war, governments quickly saw its potential to inspire a sense of national pride, patriotism , to promote recruitment for soldiers and garner support for fund raising efforts. It was also used as a powerful way to shame conscientious objectors and others who didn't support the war. The catchy melodies and rhythms can therefore be seen as a form of propaganda. Most songs from the First World War period did not reflect the brutal reality of war, instead they suggested that all would be fine and that the war would end soon. Ref: Natasha Barrett, military band at Auckland War Memorial Museum, Anzac Day, 25 April 2010