Heritage et AL

One of New Zealand’s most highly respected abstract artists, Milan Mrkusich , designed several large public artworks in Auckland in the 1950s-1960s. The most well-known existing ones include the mosaic mural on the B. J. Ball Building overlooking Fanshawe Street, and the stained glass windows at Grey Lynn’s St Joseph’s Catholic Church - the largest abstract work in the country at that time. Ref: Patrick Clearwater, BJ Ball mural, 31 May 2010. B. J. Ball (NZ) Ltd was a paper manufacturing company and Mrkusich’s mural for them highlights the paper-making process from the raw material of trees to the end product of stacks of reams. This mural is 7.6m high and 3.9m wide (25ft x13 ft.) and is made from thousands of glass and ceramic tiles. As Julian Dashper recounts in a 1995 article, Mrkusich made full size plan drawings “which he rolled up and posted to Italy, where a master tile maker made a complete mural on the floor, turned it upside down into hundreds of little boxes and ...

Sculptures, murals and statues are dotted around Auckland with information about many of these public artworks available on Auckland Council’s Art and Heritage Database . A display on level 2 at the Central Library showcases some of these items, from Fatu Feu’u’s Aotea Centre mural to Greer Twiss’s Pigeon Park sculpture. Statues and monuments from the Auckland Domain are featured including the Pukekaroa Palisade where Princess Te Puea planted a tōtara tree during the city’s 1940 centennial celebrations in order to reaffirm the mana of the Tainui people in the area, and the connection between her family and the Domain. Her great-grandfather Te Wherowhero had lived in two houses on the Domain site between 1847-1858 before returning to the Waikato as the Māori King. Ref: Pukekaroa Palisade, 2016.